Subjective Cinema Workshop
Experimental cinema with the presence of the Austrian artist and cinematographer Michael Pills
This is a four-day workshop and will be held in cooperation with "Rah" Residency at Jaleh Gallery:
Experimental cinema with the presence of the Austrian artist and cinematographer Michael Pills
Michael Pills:
Excerpts from Mr. Pills' text regarding the Subjective Cinema Workshop:
I am a filmmaker and I have always been. In the early years of my life, I could have been an architect or a sculptor or a musician, but eventually my life shifted to the world of animation. So I want to start by introducing myself, about the early years of my career, from the different motivations I had for my visual sensitivities, and I started at the age of 15 with a great Swiss 8mm camera that belonged to my father. My experimental cinema experience continued with the constant contact with new American filmmakers (Jonas Makas, Baraja and many others) who were invited to Vienna by Peter Kobleka, one of the founders of the Austrian Film Museum (1965).
For several years I put my energy into great fiction projects, but in the end I could not succeed because in Austria there was no cultural or economic interest or background to our projects following the work of Melville, French noir film, Godard or Cassavetes. With this in mind, I made my way to the Venice Film Festival in 1972 with a short fiction film.
Why "Subjective Cinema"? More and more, I tended to make films that are a kind of diary, films without a screenplay, so I turned the camera in front of me, from a personal perspective influenced by world avant-garde filmmakers as well as anthropology, ethnography and lubrication and people like It was George Durer. We can not ignore the interaction between the subject or subject and the observer in the hope that he (the observer) will adequately pretend that it does not exist ...
So I more and more radicalized my personal view and filmmaking and less traditional methods like storytelling and feeding the basic needs of the audience (I was never interested in winning an Oscar!) But more than the art of cinema to think and work about life. , Love and final questions, I have benefited




